the police just keep murdering people

the last time I sat down to write, I was trying to write about the police killing Black people, and about the widespread harm the police do in general. it was last Wednesday, and Daunte Wright was still alive.

my poet friend really described this best in “Next Black Murder

in an effort to spread ideas, hope, and care for each other, and to fortify our abolitionist networks, here are some things folks can do about the violence that is inherent to policing:

Neglect Fatigue Syndrome

Neglect Fatigue Syndrome
by Maurece L. Graham

I don't want to love no more,
I've loved all that I can
This ain't no march for Blake
I'm Black
I can walk til they name a street after me
legislate til they put my name on a plaque
get arrested til the system cracks
talk til I can't breathe
and still this place won't love me

I don't want to love no more
you equivocate every time I die
and only ask why
I kill myself too,
never acknowledging the arrows
pointed at you
I'm a talking point in your news
something that validates your views
of my death being justified no matter
how I died

No, I don't want to love no more
you mock my soulful pleas
snicker if I'm liberal
snub my misery
by listening to someone else tell my story
like my plight is a policy
able to change with a stroke of your opinion

I don't want to love no more
Dr. King loved much greater than me
John Lewis got beat much
worse than me
we've forgotten more of their love
than I'll ever have to give
why should I love anymore
when you've treated even them
like this.

This is a poem written by my friend and penpal of 4 years. I am honored to share space with an imprisoned Black poet. He wrote the poem; I chose and am responsible for the image/flyer content and everything else which accompanies it.

Next Black Murder

Next Black Murder
by M.L. Graham

Next Black Murder
is one too many
words, that is
because Black and Murder
together are a given
should have an apostrophe
make it a conjunction
that way there'll be less to
explain.

Again?
Daniel Prude was craazy
not for being naked in the sleet
that's American
craazy
for not running
for laying on the concrete
in front of police
like life is sweet.

I hear white lives matter
too, that they
die more than blacks
but instead of
protesting the police
they protest us
like they don't care
about their dead
only about diminishing ours.

Who is it that
strangles the truth
like they strangled Acevedo
and Garner and Floyd?
Who blames cities for laws
that are passed by states
and blames us
for wanting real change
for wanting them to say our names?

Black lives do matter
saying so does respect all life
but you've rejected even that
simple statement
like "your" can't mean "our"
just this once
like the next black murder
will mean something different
to you.
Orange and black poster that says Abolish police!!! All power to the people. Disarm.  Dismantle. There is no justice for anybody before Black Liberation ... so fight for nothing less!
Image by Shiva Addanki at Justseeds Collective

This poem was sent to me to publish by a currently imprisoned friend and penpal of 4 years.

(He did not choose the graphic to accompany it however.)

GF 1619-2020

G.F. 1619-2020
by M. L. Graham

Ask
and ask
and then ask
why we can't breathe
why we can't see each other
in 'we'
at least not officially
why whenever we speak of history
it's dotted with caveats
inclusive I's
exclusive we's
narrating our story
while we can't breathe
ask why
grown men holler momma
eighteen months after she's passed
eight minutes before we do, too
which we know thanks to a seventeen
year old --
or so we're told
or so we're shown.
ask why
slave patrols kept their colors
their vicious dogs
their strikes like bloodhounds
unerringly cracking black spines
black kidneys
black arteries
until we can't breathe
Who's in control of the city?
Why we riot whenever we bleed?
Why we get asked to trust
those who've robbed our best,
robbed our breath?
Why black anyways,
isn't that the mark of a slave?
why not call me by my name?
There's nothing black about me
that wasn't left by brutality,
boots, batons, knees,
the hearts of those who refuse to hear my pleas.
ask, and ask why
ask until you hear your voice in
every preacher's cries
ululations, protestations,
hymns
parched and inflected
pitched and hoarse,
ask again
ask why you think riots
are uncalled for
when injustice is ringing
when the police who cleared the
streets
were still writing
false reports in our names
signed by the silent
coauthored by the medic
who backed our killer's tale
before they thought we knew.
I don't want your stores
or their windows
your streets strewn with broken glass
your loot,
we want to breathe,
like Eric Garner, Rodney King,
Philando Castile, Freddy,
Tamir, George, Brianna,
You & Me
Ask why
I had to write this
for 'We the People'
it's not for a cause
it's because 'it' happened again
and again
and again
and I'm not sure what 'we'
means anymore
they want prison for the perps
I want justice for all
they want harsher charges
I want a sweeter liberty
we can't have both
but we can have neither
ask why it seems that's what
we've got.
Ask why you think
peaceful protests are best
we had those three years ago,
at Trump's inauguration
at his appointment of Gorsich,
at the Kavanaugh hearings,
the Mueller findings
the Impeachment proceedings,
and yet Manafort is free,
as is Stone,
Sheriff Arapaio,
Giuliani & Co.,
and of course Trump is
still president
the glory of peaceful protests!
like flowers at a cancelled wedding,
like Floyd's nonresistence.
"Just be calm," he whispered
"I can't breathe," he replied
and peaceful crowds were dispersed
helicopters hovered
tear gas bursting in air
proof through the night
that they don't care.
Burn, New York!
Burn, Baltimore!
Burn, Louisville!
Burn, L.A.!
Burn, Seattle, Minneapolis, St Louis,
Houston, Oakland, Miami,
Burn! Burn! Burn --
with the flame of indignation,
the heat of reprehension,
the fire of compassion,
light up the skyline
with refrains
from Malcolm, Huey,
Angela and Martin
let your silhouettes flicker
to the tune of unrequited memorials
that ask why
through dead black throats
ask why
we can't keep our bowels from releasing
ask why
the EMT can't find our pulse
ask why
when your soul died you took my body
with it
ask why
our eyelids can't lift so we can
stare into the camera,
past the little girl holding it,
into your living room
He killed us!
His stare is still here,
we cannot convict him
he is us
ask why
convicting him is not suicide for you,
for all of you who didn't ask why
just repeated the lies
just retweeted the myths
covered the blows with words
hid the strangle holds behind
other breaking news,
concealed your broken face
behind 'my' facts
ask why
like you've never asked before
so you'll never have to ask again
ask
"Why can't you get in the car, George?"
and ask
"Why won't you be still, George?"
then ask again
"Momma!"
Why can't we breathe

This poem was sent to me to publish by my friend and penpal of 4 years who is currently imprisoned. I am happy to have a space to share with a Black poet, and am honored to call Mr. Graham my friend. Our letters have been a constant source of inspiration, intellectual exchange, and hope over the years. I would say a lot more, in less formal terms, about this poet and our friendship, but for his life being at the mercy of the ever watchful prison.

Fiction I Read in 2019

Once again, I put together a list of the fiction that I read over the past year that I loved and want to recommend. I found that in doing so, both this year and last, I was reminded of what I learned through reading literature. Indigenous author Rebecca Roanhorse suggests that fiction, and especially science fiction, is important because “the future you imagine is the future you get.” She goes on to say: “for me, it is important to imagine a future that centers Native people,  that highlights our stories and our ideas and our languages, science, and art. Otherwise, the world suffers. Stuck in colonizing language and thought (Space conquest! Colonizing planets!) without considering that there might be another, better way.”

  • Lost Children Archive – Valeria Luiselli
    • A haunting, beautiful, and thoughtful book about colonialism and children taken from their families on the southern border
  • The Great Believers – Rebecca Makkai
    • A wrenching, powerful book about love, death, and politics that takes place across decades about the beginning of the AIDS crisis
  • Akata Witch – Nnedi Okorafor
    • Kids and magic, better than Harry Potter. I finished the first book and immediately downloaded the second from the library, Akata Warrior.
  • The Sympathizer  –  Viet Thanh Nguyen
    • I was a little slow on this one, in part because I was worried it was going to be reactionary, but I found this book to be satisfying politically and quite funny in parts. I wish everyone could read the section skewering Vietnam War movies.
  • Trail of Lightning – Rebecca Roanhorse
    • A quick-moving, adventurous read about monster killing. Also a thought provoking piece of literature that taught me in a new way (as I hoped it would) that representation really matters. Let’s hope there is a movie or TV option. I’m #50 on the waiting list for the next book.
  •  Brown Girl in the Ring – Nalo Hopkinson
    • Second book I have read and absolutely loved by this author of Black speculative fiction. my favorite part of this book might have been its insights into family dynamics although it is also leaving me thinking about the skills I should be building for the climate crisis.
  • Disoriental – Négar Djavadi
    • A story of a family and particularly one woman (a punk rock aficionado) in exile from Iran. A beautiful novel about state terror and family drama.
  • The Hate U Give – Angie Thomas
    • I didn’t see the movie, so I don’t know how it compares. I really liked the book and felt like it was a good companion read to When They Call You a Terrorist; each covered certain things the other did not. I liked the emotional terrain and complexity of this book which used the power of fiction to tell another side of the story of police murder. If you want to know about the Black Lives Matter movement though, you should do further reading.
Picture of three women in an attic (the Vera sisters) looking at a large old book (the Book of Shadows).
The Vera sisters understand the power of a book.

On the Murder of Jemel Roberson

JemelRoberson

Jemel Roberson with his son Tristan.

This man was murdered by the police.

His name is Jemel Roberson.

He was clearly identified as security and had successfully just stopped a shooter from killing others, without killing that person. This, it must be said, is something most of us wish the actual police would do.

It is obvious that in this country a Black man can never be considered a “good guy,” no matter what he does.

It is obvious that Black Lives do not Matter.

It is obvious, or it should be, that this is not about bad apples, or individual police officers, but that it is about an institution of policing which at its very core targets Black people and Black communities.

It is time for a change.

It will take many of us to participate in this change. Paolo Freire famously said “Washing one’s hands of the conflict between the powerful and the powerless means to side with the powerful, not to be neutral.” Find ways to act (and there are many possibilities), even if these acts seems small. Black lives depend on it.

Saturday Recommendation: When They Call You a Terrorist

When They Call You a Terrorist: A Black Lives Matter Memoir – Patrisse Khan-Cullors and asha bandele

I do not think I have ever met anyone who could not somehow benefit by reading this book. White people, middle class people, and anyone who experiences the privilege of not being Black in the US will find a lot illuminating in Khan-Cullors powerfully told story of growing up in a culture which simply does not value your life or those of your loved ones. The honesty and vulnerability with which this contemporary story is told means that there is a lot to be learned even for those who feel that they have done a lot of listening, learning, and studying; there are new nuances here that are important. This same emotional heft means that the book has value (at least, I imagine so) for those who do share her experiences because it is validating. Its intersectional dimensionality – careful attention is paid here not only to gender but to sexuality, trans visibility, and more, including how communities and movements have succeeded and failed in organizing at certain moments because it is always a struggle—mean that there are opportunities for everyone to learn. Organizers and activists will also find Khan-Cullors’ words inspiring , validating, and simply nourishing. Those who are not activists will find the book helpful for understanding why others, such as the three women who founded Black Lives Matter, do what they do.

Two short passages that occur near the end of the book:

 “…now it was late, maybe 1:00 in the morning, and I was heading back to my cottage where Mark Anthony was supposed to be sleeping but instead was standing outside our home, barefoot, in pajamas and with his hands cuffed behind his back. … They were able to gain entry to our home because in St. Elmo’s, before this, we never locked the doors. But on this night, the police entered through the back door. They said he fit the description of a guy who’d done some robberies in the area. They offered no further explanation. … Later when I hear others dismissing our voices, our protest for equity, by saying All Lives Matter or Blue Lives Matter, I will wonder how many white Americans are dragged out of their beds in the middle of the night because they might fit a vague description offered up by God knows who. How many skinny, short, blond men were rounded up when Dylann Roof massacred people in prayer? How many brown-haired white men were snatched out of bed when Bundy was killing women for sport? … Mark Anthony’s cuffs are finally removed, but the police do not leave my home for another two hours, taking down all kinds of information about him, running his license, hoping to find any reason to take him away, this man they yanked out of his own bed in the middle of the night in the house where he lives in a community where he is loved” (pp. 193-195).

And then, a discussion about the formation of the BLM:

“We agree that there is something that happens inside of a person, a people, a community when you think you will not live, that the people around you will not live. We talk about how you develop an attitude, one that dismisses hope, that discards dreams” (p 199).

This book is a record of life in Van Nuys. This book is a record of a movement. This book is a record of state terrorism. This book is a record of a dream.

communication through bars is revolutionary

Today I was reading about Mutulu Shakur, who has spent over 30 years in prison, when I came across the following piece of information: Dr. Shakur was denied parole in one hearing solely because he participated in a phone call on speakerphone with a professor and their students. In essence, the act of speaking to people in an educational context became the reason that he was seen as a danger to society.

photograph of Dr. Mutulu Shakur in the sun against a concrete wall

Dr. Mutulu Shakur, August 2016

Dr. Shakur is the stepfather of Tupac Shakur and has served 32 years in federal prison for his involvement in a bank robbery which resulted in the deaths of 3 people and involvement in the escape of Assata Shakur. Shakur was denied mandatory parole in 2016 (after serving 30 years as a peaceful prisoner) and has currently initiated a lawsuit against the federal government.

For the last 3 years I have met with other local people twice a month to write letters to people in prison. This work has many critical aspects, some of which are immediately obvious, and others which are less so. Perhaps another day I can write more about the importance of writing a letter in the spirit of solidarity to a person who is literally living in a cage, and about the important and meaningful friendships that have grown from those letters. What I’m thinking about this afternoon is the way this work keeps me connected to the many shocking injustices of the prison system, and how much I continue to learn from it.

It’s worth reading the whole list of horrifying reasons Dr. Shakur was denied parole put together by his support committee. Apparently a prisoner cannot refer to themselves as a victim of COINTELPRO, although it is indisputably factually correct, if they want to ever be considered for parole, because referring to their victimization by the FBI makes them likely to reoffend.

Regarding the public phone call, no one disagrees that Mutulu called a professor who placed the call on speaker phone so that other faculty and students could listen to his comments. The problem is that the prison and parole board have not ever cited a rule that was violated by such a phone call, nor was anyone ever informed of such a rule (and how heinous is the idea of such a rule?). From the support committee summary:

“The February 2013 brief phone call, fully monitored, was the sole basis for rejecting the Parole Commission’s Hearing Examiner’s recommendation that Dr. Shakur be paroled in early 2015. No one has ever explained why any rule was violated or shown that Dr. Shakur or any other inmate has been informed that allowing someone to place his or her phone on a speaker is a rule violation.”

In this case, the mere act of speaking to others outside the prison walls becomes reason enough for continued loss of civil rights. Even the apparent involvement of Danny Glover at the event was not enough public pressure to turn the tide (or perhaps that’s exactly what irritated the parole board enough to cause the retaliation). The message is that prisoners can and will be punished for communicating with people outside of prison in public ways. But even so, it’s shocking to see that the prison has so much control that it does not need to provide any justification for this, even in such a high profile case.

This case and details are not only a good lesson on how the prison works, but they touch close to the local work we do, too. I sent Mutulu a birthday card last year, and received a nice note back. I’ve participated in similar phone calls myself at public talks given on campus, as an audience member, and have considered organizing these kinds of events as well. And another reason for Dr. Shakur’s parole denial is one that we deal with regularly: how to close a letter.

“Mutulu often signs off his letters with the words ‘Stiff Resistance’ and this indicates he may once again engage in violent crimes if released.”

The Hearing Examiner stated:

“The Commission not only finds these statements incompatible with the goals and conditions of parole supervision, but also concludes they are evidence that you have not disavowed yourself from the same set of beliefs you had when you were convicted …”

What is noticeable here is that the Commission looked past literally volumes of public statements and writing made by someone that would clarify and provide clear context on what they are thinking, in this case an explicit disavowal of violence as a means toward social change, and instead focused on a two word salutation and decided to interpret it in a vacuum. They will, it seems from their own statement, accept nothing less than a disavowal of all the political beliefs Dr. Shakur had when he was convicted. In other words, they are not looking for him (or other prisoners) to disavow violence or certain actions, but rather to disavow political resistance entirely. They are looking for complete submission, even in letter salutations.

But prisoners also demonstrate their refusal to submit and their continued meaningful political resistance precisely through communicating with us. It’s a way of maintaining their selves, their dignity, and their humanity inside of an institution that is specifically designed to strip them of all of that. Mutulu uses “stiff resistance;” another friend of our group, Sean Swain uses “stay dangerous” and has mounted three campaigns for governor while on the inside. Communication beyond bars is a radical tool or it would not be punished so radically. And if this is the punishment that occurs in a high profile case like Mutulu Shakur’s, with a website, support committee, and some connection to Danny Glover, one should imagine much more arbitrary denials and worse repression that occurs among the rest of the prison population.

Prisoners take enormous risks in simply communicating with us. As people who walk freely on the outside, it’s essential not to forget, underestimate, or waste these risks, and to understand that they are precisely how we know our work is revolutionary and meaningful.

prison_birds_hearts

 

policing campus diversity: Somali Night

Yesterday I read the stomach turning account of how my alma mater, the University of Minnesota, treated the Somali Student Association at the end of its cultural week, last Friday. I’m presenting the Somali Student Association’s account here in its entirety, because the whole thing is worth the read. It is one of the most thorough, clear, and comprehensive accounts of a police riot I have ever read. It is an alarming picture of how subtle, purportedly nonviolent, and even micro-level forms of racism combine and become explicit, violent, and massive.

Somali Night Press Release Pg 1Somali Night Press Release Pg 2Somali Night Press Release Pg 3

 

Many things about this statement jump out immediately. One of them is the claim made by employees on a university campus that it would be impossible to use markers on Black skin. This indignity, which must have occurred in the context of so many others during the planning for this event, encapsulates clearly that the University of Minnesota is still unprepared in 2018 for the presence of Black people.

Something else I notice immediately is the calm, composed, and measured tone of this press release, written by a student organization.  So much can be learned just by reading what these students have to say about their experiences. I expect we will learn even more from them by watching how they challenge the university in its reaction.

Students on the University of Minnesota campus have already been reporting on their negative experiences with the cosmetic diversity initiatives embraced by their campus (which is similar to so many others). The Whose Diversity? campaign that began in Spring 2014 created a powerful set of testimonies of experiences of students of color on campus.

Perhaps most telling is that a quick Google search conducted 24 hours after the Somali Student Association’s press release and 3 days after the Somali Night incident itself reveals very little reporting on the event and its heavy policing. I suppose it comes as little surprise that the most cogent and knowledgeable source of information about these events comes from the affected students themselves.

Saturday Rec: I Am Not Your Negro

(On Saturdays, I’ll be posting recommendations for movies and books and other stuff. Here’s my first.)

I Am Not Your Negro

Best paired with: cigarettes and a typewriter

Not an incredibly unique documentary recommendation,  but if you haven’t yet seen it, see it now. Even if you already know a lot about race and racism, you will probably see something in a different way or appreciate something differently. The film is beautiful and well-made. The argument, which belongs almost entirely to James Baldwin, is interesting and deep. I re-watched it this week and was again amazed at how ahead of his time Baldwin was. Not because he’s saying things that have relevance in 2018 (although that’s true too), but because he seems to have anticipated the late 1960s and the 1970s well in advance: Notes of a Native Son was published in 1955.

Director Raoul Peck highlights the contemporary resonance in Baldwin’s words beautifully and devastatingly through images.

The flaws: the film is an intersectionality fail. There are almost no Black women in the movie, although Black women played an extremely large and critical role in the Civil Rights Movement of the 1960s. This is a problematic reflection of how history is told rather than how it was. And although Baldwin is well known to have been queer, it’s downplayed in the film.

But even so, see it. See it.

Here’s a teaser of Baldwin’s brilliance:

Photograph of James Baldwin

Click for video of Baldwin. (Photo by Allan Warren)